BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Knoxville Museum of Art - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://knoxart.org
X-WR-CALDESC:Events for Knoxville Museum of Art
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250319T170000
DTEND;TZID=America/New_York:20250319T190000
DTSTAMP:20260509T110129
CREATED:20250301T184557Z
LAST-MODIFIED:20250304T212005Z
UID:10000568-1742403600-1742410800@knoxart.org
SUMMARY:"Real" Life Drawing
DESCRIPTION:“Real” Life Drawing is an expansion on the KMA’s Drop-In Figure Drawing Program. These sessions will feature clothed models in a variety of clothing styles\, anything from work uniforms to fanciful costumes! “Real” life drawing is open to all ages and skill levels\, use this time to explore drawing a wide range of individuals and dress in a comfortable\, creative setting. \nA facilitator will be present to assist the model and attendees at large however\, materials and individual instruction is not provided. \nPlease arrive promptly between 4:45 pm and 5:00 pm through the front door of the museum. \nMembers $12 | Non-members $15
URL:https://knoxart.org/event/real-life-drawing-31925/
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2025/03/Real-Life-Drawing-1-scaled-e1741123189518.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250301T173000
DTEND;TZID=America/New_York:20250301T213000
DTSTAMP:20260509T110129
CREATED:20240923T180130Z
LAST-MODIFIED:20250220T204433Z
UID:10000415-1740850200-1740864600@knoxart.org
SUMMARY:L'Amour du Vin Auction & Dinner
DESCRIPTION:L’Amour du Vin is one of the Southeast’s most prestigious events and the Knoxville Museum of Art’s largest annual fundraiser! This exceptional evening showcases the only the finest food and wine\, featuring a spectacular auction and dinner in partnership with the renowned Blackberry Farm\, a Relais & Châteaux property. Now in its 22nd year\, L’Amour du Vin has become a highlight of Knoxville’s social calendar\, eagerly anticipated by food\, wine\, and art enthusiasts alike. \nFor questions and information about L’Amour du Vin sponsorships\, please contact Taylor Broyles at 865.444.5486 or tbroyles@knoxart.org. \nAll funds raised will benefit the Knoxville Museum of Art and help keep admission free for everyone for the rest of the year! \n \nVideo produced by Loch & Key Productions.
URL:https://knoxart.org/event/lamour-du-vin-auction-dinner/
CATEGORIES:Fundraisers
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/09/LAmour-du-Vin_Auction-Dinner-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250201T103000
DTEND;TZID=America/New_York:20250201T113000
DTSTAMP:20260509T110129
CREATED:20250114T193616Z
LAST-MODIFIED:20250114T202545Z
UID:10000566-1738405800-1738409400@knoxart.org
SUMMARY:Curator's Gallery Talk
DESCRIPTION:Join Fitsum Shebeshe\, curator of States of Becoming\, for an in-gallery discussion. \nFitsum Shebeshe is a curator and painter based in Baltimore and Washington\, DC. He is currently the Gallery Director at Harmony Hall Regional Center in Fort Washington\, Maryland. Before moving to the United States in 2016\, he was Assistant Curator at the National Museum of Ethiopia. In 2012\, Shebeshe co-founded the 1957 Initiative to annually celebrate the liberation of African countries from colonialism through the arts. In 2013\, he curated the 1957 Art Show at the National Museum of Ethiopia on the occasion of the 50th Golden Jubilee Anniversary of the African Union\, and in 2017\, he was the curator of Depart Africa\, at the Baltimore School for the Arts. Shebeshe holds a Masters of Fine Arts in Curatorial Practice from the Maryland Institute College of Art. \nFREE and open to the public! \nStates of Becoming is a traveling exhibition curated by Fitsum Shebeshe and produced by Independent Curators International (ICI)\, New York.
URL:https://knoxart.org/event/curators-gallery-talk/
CATEGORIES:Lectures,Tours
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2025/01/Curator-Gallery-Talk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250131T180000
DTEND;TZID=America/New_York:20250131T210000
DTSTAMP:20260509T110129
CREATED:20241216T152702Z
LAST-MODIFIED:20250130T172944Z
UID:10000565-1738346400-1738357200@knoxart.org
SUMMARY:States of Becoming Opening Reception
DESCRIPTION:Members Only Hour\, 6:00-7:00 pm\nGallery Talk with Curator Fitsum Shebeshe\, 6:15 pm\nReception Opens to Non-Members\, 7:00 pm\nMusical Performance by Artist Miatta Kawinzi\, 8:00 pm\nFood by Tarik’s North African + Cash Bar + Specialty Beverage \nABOUT THE EXHIBITION—\nStates of Becoming examines the dynamic forces of relocation\, resettling\, and assimilation that shape the artistic practices of a group of contemporary African diaspora artists in the United States. The exhibition is inspired by curator Fitsum Shebeshe’s 2016 move from Addis Ababa\, Ethiopia\, to Baltimore\, and subsequent firsthand experience with cultural assimilation. States of Becoming is on view at the Knoxville Museum of Art through April 27\, 2025. \nStates of Becoming is a traveling exhibition curated by Fitsum Shebeshe and produced by Independent Curators International (ICI)\, New York. \n\n 
URL:https://knoxart.org/event/states-of-becoming-opening-reception/
CATEGORIES:Exhibition Openings,Special Events
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/12/States-of-Becoming_Opening-scaled-e1735831748864.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250131T100000
DTEND;TZID=America/New_York:20250427T170000
DTSTAMP:20260509T110129
CREATED:20240725T202300Z
LAST-MODIFIED:20250429T155959Z
UID:10000328-1738317600-1745773200@knoxart.org
SUMMARY:States of Becoming
DESCRIPTION:States of Becoming  examines the dynamic forces of relocation\, resettling\, and assimilation that shape the artistic practices of a group of contemporary artists of African descent working in the United States. The exhibition is inspired by curator Fitsum Shebeshe’s 2016 move from Addis Ababa\, Ethiopia\, to Baltimore\, and subsequent firsthand experience with cultural assimilation. Organized by Independent Curators International. \nArtists featured in the exhibition include Gabriel C. Amadi-Emina\, Kearra Amaya Gopee\, Kibrom Araya\, Nadia Ayari\, Vamba Bility\, Elshafei Dafalla\, Masimba Hwati\, Chido Johnson\, Miatta Kawinzi\, Dora King\, Helina Metaferia\, Nontsikelelo Mutiti\, Yvonne Osei\, Kern Samuel\, Amare Selfu\, Tariku Shiferaw\, and Yacine Tilala Fall. \nEXHIBITION-RELATED PROGRAMS:\nStates of Becoming Opening Reception I Friday\, January 31\, 6:00-9:00 pm\nCurator’s Gallery Talk I Saturday\, February 1\, 10:30-11:30 am\nWire Car Cruise with Artist Chido Johnson | Saturday\, April 5\, 10:30 am-12:30pm \nABOUT THE CURATOR—\nFitsum Shebeshe is a curator and painter based in Baltimore and Washington\, DC. He is currently the Gallery Director at Harmony Hall Regional Center in Fort Washington\, Maryland. Before moving to the United States in 2016\, he was Assistant Curator at the National Museum of Ethiopia. In 2012\, Shebeshe co-founded the 1957 Initiative to annually celebrate the liberation of African countries from colonialism through the arts. In 2013\, he curated the 1957 Art Show at the National Museum of Ethiopia on the occasion of the 50th Golden Jubilee Anniversary of the African Union\, and in 2017\, he was the curator of Depart Africa\, at the Baltimore School for the Arts. Shebeshe holds a Masters of Fine Arts in Curatorial Practice from the Maryland Institute College of Art. \nStates of Becoming is a traveling exhibition curated by Fitsum Shebeshe and produced by Independent Curators International (ICI)\, New York.\nIMAGE: Gabriel C. Amadi-Emina\, Fade Catcher\, 2021\, diptych photographic print on museo silver rag adhered flat on wooden panel\, 30 x 30 in; 24 x 30 in\, Collection of the artist \n\n 
URL:https://knoxart.org/event/states-of-becoming/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/png:https://knoxart.org/wp-content/uploads/2024/07/States-of-Becoming-e1721240559395.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241220T100000
DTEND;TZID=America/New_York:20250216T170000
DTSTAMP:20260509T110129
CREATED:20241205T164216Z
LAST-MODIFIED:20241206T174516Z
UID:10000559-1734688800-1739725200@knoxart.org
SUMMARY:Flowers of War: Stories that Bloom in Ruins
DESCRIPTION:Flowers of War reflects upon the consequences of Russia’s war in Ukraine. Each piece was created by those who have faced conflict: Ukrainian children\, parents\, refugees\, volunteers\, and soldiers. Flowers of War offers an authentic and deeply human look at the harsh realities of today’s conflict through the lens of those who have experienced it. This exhibition aims to foster empathy as well as to deepen the world’s connection with those who continue to endure the unseen and unthinkable. Presented by Restore Ukraine. \nEXHIBITION-RELATED PROGRAMS:\nOpening Reception | Sunday\, December 22\, 2:00-4:00 pm \nAbout Restore Ukraine—\nRestore Ukraine is a charity organization that was founded in February 2022 during the first week of the full-scale war in Ukraine. Its roots come from two brothers – Yaroslav and Stanislav Hnatusko. Restore Ukraine’s mission is to restore dozens of cities and hundreds of communities for Ukrainian families\, and their vision is to provide humanitarian support until all have food and home. restore-ukraine.org
URL:https://knoxart.org/event/flowers-of-war/
CATEGORIES:Kramer Education Center
ATTACH;FMTTYPE=image/png:https://knoxart.org/wp-content/uploads/2024/12/Restore-Ukraine.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241129T100000
DTEND;TZID=America/New_York:20250112T170000
DTSTAMP:20260509T110129
CREATED:20240401T172744Z
LAST-MODIFIED:20250117T154309Z
UID:10000314-1732874400-1736701200@knoxart.org
SUMMARY:East Tennessee Regional Student Art Exhibition 2024
DESCRIPTION:Welcome to the 19th Annual East Tennessee Regional Student Art Exhibition\, presented by the Knoxville Museum of Art. The ETRSAE showcases the strength and diversity of art education programs in East Tennessee\, celebrates talented middle and high school students\, and supports arts education. This annual exhibition provides the opportunity for students to participate in a juried exhibition and to have their artworks displayed in a professional art museum environment.  We are so delighted by the quality of the artworks\, the dedication of the teachers\, and the commitment of the museum staff to establish a museum/school tradition for our community. \nVIEW THE WINNERS\nEXHIBITION-RELATED PROGRAMS:\nOpening Reception and Award Ceremony I Tuesday\, December 10\, 6:00-8:00 pm \nABOUT ETRSAE—\nPublic\, private\, and home schools grade 6–12 in 32 East Tennessee counties were invited to submit up to 15 artworks per teacher. Categories for the competition include ceramic\, drawing\, video production\, mixed media\, painting\, computer graphics\, sculpture\, digital or traditional photography\, and printmaking. Each participating school is represented by one work of art. \nThe Best-in-Show winner receives a Purchase Award of $500\, and the artwork becomes a permanent part of the collection of Mr. James Dodson\, on loan to the Knoxville Museum of Art’s Education Collection. The Best-in-Middle School winner receives $250. If you are a NAEA/TAEA member and the teacher of the student who is selected as this year’s Best-in-Show and Best in Middle School\, you will receive a $100 Art Educator Award from the Knoxville Museum of Art. Each student in the exhibition receives a certificate of participation and the “Best” in each of the 10 categories. The winners receive a cash award and a museum family membership. \nIMAGE HEADER: Best in Show\, Nayumi Rei Testa\, 10th Grade\, Tranquil Waters\, Painting-Acrylic paint\, Roane County High School\, Natascha Hudson\, Art Teacher\nThe 19th Annual East Tennessee Regional Student Art Exhibition is presented by the Knoxville Museum of Art.
URL:https://knoxart.org/event/etrsae-2024/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/04/ETRSAE-2024-scaled-e1722280883985.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241107T173000
DTEND;TZID=America/New_York:20241107T193000
DTSTAMP:20260509T110129
CREATED:20240823T201033Z
LAST-MODIFIED:20240916T182152Z
UID:10000411-1731000600-1731007800@knoxart.org
SUMMARY:Cocktails & Conversation with Katherine French
DESCRIPTION:Near the close of the exhibition\, Katherine French Sandman Legacy Project Curator\, will give an informative talk about the artist’s experience at Black Mountain College and its lasting impact on her life and career over the past seven decades. \nThe Sandman Legacy Project seeks to make work by the artist Jo Sandman more widely available through donations to public institutions. Since 2018\, Katherine French\, the Sandman Legacy Project Curator has helped facilitate acquisitions in over forty museums\, including the Black Mountain College Museum\, the DeYoung/San Francisco Museum of Fine Art\, the Museum of Fine Arts\, Boston\, as well as such college museums as Bowdoin\, Mt. Holyoke\, Smith and Wellesley. French has also helped organize exhibitions across the country. In 2022 she spoke with Jo Sandman at the opening of her retrospective exhibition Jo Sandman: Traces at the Black Mountain College Museum + Art Center. \nThis program is free and open to the public\, with light refreshments and a cash bar. The lecture begins promptly at 6:00 pm. \nJo Sandman/TRACES is organized by the Black Mountain College Museum + Arts Center\, Asheville\, NC.\nIMAGE HEADER: Jo Sandman (1931 Boston; lives and works in Boston)\, Untitled (removal)\, collage\, interior insulation foil\, 30 x 35.5 inches.
URL:https://knoxart.org/event/cocktails-conversation-with-katherine-french/
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/08/Cocktails-Conversation-scaled-e1724443415100.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241103T150000
DTEND;TZID=America/New_York:20241103T160000
DTSTAMP:20260509T110129
CREATED:20241003T161244Z
LAST-MODIFIED:20241007T191258Z
UID:10000549-1730646000-1730649600@knoxart.org
SUMMARY:Interpretations in Dance and Art\, Fearless Motion
DESCRIPTION:Jill Frere and company\, of Fearless Motion will present a structured improvisational dance performance inspired by the artwork in the exhibition Jo Sandman/TRACES.  Jill is dancing with Nate Barrett\, Laura Bergamy\, and Angela Hill to the live music of Knoxville’s beloved jazz pianist Ben Maney.  Fearless Motion is excited to explore what happens when we take our own bodies to be found art\, then deconstruct that to create room for a genuine process of transformation and regeneration.  The event\, happening in the gallery\, amongst the works that inspired it\, begins with a brief discussion of that inspiration followed by a live dance and music structured improvisation. \nFree and open to the public! 
URL:https://knoxart.org/event/interpretations-in-dance-and-art-fearless-motion/
CATEGORIES:Special Events
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/10/Interpretations-in-Dance-and-Art.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241030T173000
DTEND;TZID=America/New_York:20241030T193000
DTSTAMP:20260509T110129
CREATED:20241001T160823Z
LAST-MODIFIED:20241001T164615Z
UID:10000547-1730309400-1730316600@knoxart.org
SUMMARY:Cocktails & Conversation with Amy Boone-McCreesh
DESCRIPTION:Visual artist and educator Amy Boone-McCreesh\, from Baltimore\, MD\, is a current Artist in Residence at Loghaven Artist Residency in Knoxville\, TN. Much like the artist Jo Sandman\, Boone-McCreesh works in experimental methods exploring the use of non-conventional materials. Although their results are vastly different\, Sandman leans more minimalistic and Boone-McCreesh is a self-proclaimed maximalist\, their method for arriving at these conclusions follows a similar path. Additionally\, both artists have had the unique opportunity to explore their creative freedom through time spent at artists’ retreats such as Black Mountain College and Loghaven. \nABOUT THE ARTIST—\nAmy Boone-McCreesh was born on Loring Air Force Base in Maine. Her upbringing instilled in her an interest in the connections between aesthetic leanings within economic and cultural status. She has a heightened visual awareness of the ways people and spaces flaunt class\, taste\, and access. Amy received her BFA from Pennsylvania College of Art and Design and MFA from Towson University in Maryland\, and shortly thereafter was awarded a two-year Hamiltonian Artist Fellowship in Washington\, DC. Amy has been based in Baltimore\, Maryland for the last fifteen years.⁠ Her work has been included in exhibitions across the country. In addition to her own studio practice\, Amy has a committed relationship to visual arts education\, running the web–based studio visit series INERTIA\, and is adjunct faculty at MICA and Towson University.⁠ \nLight refreshments and a cash bar are available beginning at 5:30 pm\, and the lecture begins promptly at 6:00 pm. \nFree and open to the public!  \nPortrait of Amy Boone-McCreesh by Jill Fannon
URL:https://knoxart.org/event/cocktails-conversation-with-amy-boone-mccreesh/
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/09/CC-Amy-Boone-McCreesh-scaled-e1727727940584.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241028T173000
DTEND;TZID=America/New_York:20241028T200000
DTSTAMP:20260509T110129
CREATED:20230926T202047Z
LAST-MODIFIED:20241024T192404Z
UID:10000012-1730136600-1730145600@knoxart.org
SUMMARY:Deaf Night at the KMA
DESCRIPTION:Deaf Night at the KMA welcomes Knoxville’s Deaf Community to an open house at the museum. Join us for an exclusive evening exploring the KMA’s current exhibitions— Jo Sandman/TRACES\, Currents: Contemporary Art from the KMA Collection\, Higher Ground: A Century of the Visual Arts in East Tennessee\, Cycle of Life: Within the Power of Dreams and the Wonder of Infinity\, Facets of Modern and Contemporary Glass\, and the Thorne Rooms. Accessible tours will be given throughout the evening\, and KMA docents accompanied by student interpreters from the University of Tennessee and the community will be available in the galleries. Enjoy an evening of light refreshments\, learning about the art\, interactive and accessible activities with friends and family. \nFree and open to the public!  \nQuestions? Contact DeLena Feliciano at dfeliciano@knoxart.org or 865-934-2041. \nThank you to the students and faculty at the Tennessee School for the Deaf for their continued participation in this event. Thank you to our partners for their collaboration and support of this event; including Lee Handler (KMA Volunteer and Docent)\, Sean Burke (KMA Volunteer)\, the University of Tennessee\, Center on Deafness and students from the Deaf Studies: Educational Interpreting concentration. (Program Coordinator: Megan Wylie Potts; for more information\, contact mpotts10@utk.edu.)
URL:https://knoxart.org/event/deaf-night-10-2024/
CATEGORIES:Special Events
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/09/Deaf-Night-at-the-KMA-scaled-e1729524181703.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241025T100000
DTEND;TZID=America/New_York:20241215T170000
DTSTAMP:20260509T110129
CREATED:20241016T194801Z
LAST-MODIFIED:20241205T173639Z
UID:10000551-1729850400-1734282000@knoxart.org
SUMMARY:PHOTO EXPO: Lens and Light
DESCRIPTION:This show was curated by independent juror and distinguished Knoxville artist\, Dr. Carl Gombert\, Professor Emeritus\, Maryville College\, ensuring a diverse and high-caliber display of photographic artistry.  If you are interested in the purchase of one of the photos on display\, please contact PPETN. \nFeaturing work by: Ann Barber\, Justine Chesney\, Yvonne Dalshen\, Jurgen Dopatka\, James Enos\, Elena Ganusova\, Hill Henry\, Kara Hudgens\, Kevin Kaiser\, Andreas Koschan\, Sasha Lay\, Grayson Martin\, Nikki Metzler\, Jessica Millard\, Sharon Popek\, John Priano\, Jack Retterer\, Chris Rohwer\, José Salas\, Daphne Ternoir\, Cheryl Welch\, Jen Willis\, Nu Yu\, and Michelle Zelina-Stice. \nEXHIBITION-RELATED PROGRAMS:\nReception and Awards Ceremony | Sunday\, November 3\, 2:00-4:00 pm \nAbout PPETN—\nThe Professional Photographers of East Tennessee is a collective of talented photographers dedicated to advancing the art and profession of photography. Through education\, networking\, and collaboration\, PPETN supports photographers of all levels in the pursuit of excellence. Learn more at ppetn.com.
URL:https://knoxart.org/event/photo-expo-lens-and-light/
CATEGORIES:Kramer Education Center
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/10/PHOTO-EXPO-scaled-e1729108028565.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241008T133000
DTEND;TZID=America/New_York:20241008T160000
DTSTAMP:20260509T110129
CREATED:20240927T210428Z
LAST-MODIFIED:20241004T193317Z
UID:10000545-1728394200-1728403200@knoxart.org
SUMMARY:Making at the Museum: Autumn Lights (Ages 9-11)
DESCRIPTION:Join us this fall break for a one-day workshop where children 9-11 years old will learn to create beautiful\, functional ceramics inspired by an Appalachian autumn! In this engaging morning session\, students will dive into the art of hand-building\, crafting unique pieces like votive holders and trinket dishes. Taking inspiration from the shapes and textures of the season\, we will create votive holders that add some cheery light as the days get shorter. \nMembers $40 | Non-Members $50 \n  \nPURCHASE TICKETS
URL:https://knoxart.org/event/making-at-the-museum-autumn-lights-pm/
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/09/Making-at-the-Museum--scaled-e1727720151750.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241008T100000
DTEND;TZID=America/New_York:20241008T123000
DTSTAMP:20260509T110129
CREATED:20240927T210508Z
LAST-MODIFIED:20241004T193153Z
UID:10000544-1728381600-1728390600@knoxart.org
SUMMARY:Making at the Museum: Autumn Lights (Ages 9-11)
DESCRIPTION:Join us this fall break for a one-day workshop where children 9-11 years old will learn to create beautiful\, functional ceramics inspired by an Appalachian autumn! In this engaging morning session\, students will dive into the art of hand-building\, crafting unique pieces like votive holders and trinket dishes. Taking inspiration from the shapes and textures of the season\, we will create votive holders that add some cheery light as the days get shorter. \nMembers $40 | Non-Members $50 \n  \nPURCHASE TICKETS
URL:https://knoxart.org/event/making-at-the-museum-autumn-lights-am/
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/09/Making-at-the-Museum--scaled-e1727720151750.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241007T133000
DTEND;TZID=America/New_York:20241007T160000
DTSTAMP:20260509T110129
CREATED:20240927T210458Z
LAST-MODIFIED:20241004T192807Z
UID:10000543-1728307800-1728316800@knoxart.org
SUMMARY:Making at the Museum: Leaf Peepers (Ages 6-8)
DESCRIPTION:Join us this fall break for a one-day workshop where children 6-8 years old will learn to create beautiful\, functional ceramics inspired by the vibrant colors and textures of an Appalachian autumn! In this engaging afternoon session\, students will dive into the art of hand-building\, crafting unique pieces like votive holders and trinket dishes. Using the symbols of the season\, we will design dishes perfect for showcasing small treats or your favorite acorn collection. \nMembers $40 | Non-Members $50 \n  \nPURCHASE TICKETS
URL:https://knoxart.org/event/making-at-the-museum-leaf-peepers-pm/
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/png:https://knoxart.org/wp-content/uploads/2024/09/Making-at-the-Museum-e1727718158911.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241007T100000
DTEND;TZID=America/New_York:20241007T123000
DTSTAMP:20260509T110129
CREATED:20240930T172854Z
LAST-MODIFIED:20241004T193011Z
UID:10000546-1728295200-1728304200@knoxart.org
SUMMARY:Making at the Museum: Leaf Peepers (Ages 6-8)
DESCRIPTION:Join us this fall break for a one-day workshop where children 6-8 years old will learn to create beautiful\, functional ceramics inspired by the vibrant colors and textures of an Appalachian autumn! In this engaging morning session\, students will dive into the art of hand-building\, crafting unique pieces like votive holders and trinket dishes. Using the symbols of the season\, we will design dishes perfect for showcasing small treats or your favorite acorn collection. \nMembers $40 | Non-Members $50 \n  \nPURCHASE TICKETS
URL:https://knoxart.org/event/making-at-the-museum-leaf-peepers-am/
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/png:https://knoxart.org/wp-content/uploads/2024/09/Making-at-the-Museum-e1727718158911.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240915T100000
DTEND;TZID=America/New_York:20241015T170000
DTSTAMP:20260509T110129
CREATED:20230926T193038Z
LAST-MODIFIED:20241002T185043Z
UID:10000001-1726394400-1729011600@knoxart.org
SUMMARY:Hola Hora Latina presents Frutos Latinos 2024
DESCRIPTION:This Frutos Latinos exhibit was selected from works displayed during September’s First Friday event at Casa HoLa. Local Latino/Latinx artists were invited to submit artworks to be displayed that celebrate their cultures and traditions and gallery visitors voted for their favorite artist in person. \nEsta exhibición de Frutos Latinos fue seleccionada de las obras exhibidas durante el evento del primer viernes de septiembre en Casa HoLa. Se invitó a los artistas latinos/latinx locales a presentar obras de arte que celebraran sus culturas y tradiciones y los visitantes de la galería votaron por sus artistas favoritos en persona. \nFeatured artists/Artistas destacados: Alberto Palma\, Aliya Alewine\, Alyssa Naudin\, Daniel Ricardo Wornicov\, David Enriquez\, Denis Berríos\, Enrique\, Héctor Saldivar\, Juan Alberto Tomas\, Jürgen Dopatka\, Juliana Irizarry\, Iván Soto\, Ormach\, Polo Francisco\, Rafael Casco\, Rama Devi\, Salvador Lopez-Leon & Susana Esrequis. \nFor more information email enrique.cruz@holafestival.org or visit holahoralatina.org/hola-festival/ \nABOUT HOLA HORA LATINA—\nHoLa Hora Latina is the home of the HoLa Festival\, TN’s largest arts and culture festival celebrating Latin American and Hispanic Heritage Month\, and the Casa HoLa Art Gallery and Artisan Shop at the Emporium for the Arts\, located at 100 South Gay Street\, Suite 112 on the bottom floor. Our mission is to promote unity in the community by creating bridges between the Hispanic /LatinX communities and the community at large through art\, culture\, education\, and leadership. Many thanks to our HoLa Festival 2022 sponsors. This celebration of Hispanic Heritage Month would not be possible without your very generous support. We are so grateful that you join us to celebrate and share the beauty and diversity of Hispanic and Latin American cultures with our East Tennessee communities. Muchas gracias a los patrocinadores del Festival HoLa 2022. La celebración del Mes de la Herencia Hispana no habría sido posible sin su apoyo generoso. Agradecemos mucho que se unan con nosotros para celebrar y compartir la belleza y diversidad de las culturas hispanas y latinas con las comunidades del Este de Tennessee. \nThis project [is being][was] supported in whole or in part by federal award number 21.027 awarded to Knox County by the U.S. Department of the Treasury and the Arts & Culture Alliance.
URL:https://knoxart.org/event/hola-hora-latina-presents-frutos-latinos-2024/
CATEGORIES:Kramer Education Center
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/09/FrutosLatinos24-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240912T173000
DTEND;TZID=America/New_York:20240912T193000
DTSTAMP:20260509T110129
CREATED:20240828T203701Z
LAST-MODIFIED:20240909T165019Z
UID:10000412-1726162200-1726169400@knoxart.org
SUMMARY:Finding Higher Ground with Jack Neely and Stephen Wicks
DESCRIPTION:Knoxville History Project executive director and historian Jack Neely and KMA curator Stephen Wicks will discuss the KMA’s recently expanded cornerstone exhibition Higher Ground: A Century of the Visual Arts in East Tennessee\, its genesis\, and some of the twists and turns in the ongoing effort over the past century to establish a thriving art scene in Knoxville. \nHigher Ground: A Century of the Visual Arts in East Tennessee is an ongoing exhibition exploring the rich and diverse art history of the region. Now featured in the KMA’s newly renovated street-level galleries\, the exhibition is accompanied by a nearly 300-page catalog edited by Stephen Wicks and Jack Neely with Associate Editors David Butler and Clark Gillespie\, featuring essays by Stephen Wicks\, Jack Neely\, Robert Booker\, and Susan Knowles. \nJoin us for light refreshments and a cash bar at 5:30 pm\, the lecture begins at 6:00 pm. Free and open to the public! \nFinding Higher Ground is a new series of educational programming and events that will explore the winding narrative featured in the KMA’s permanent exhibition.\nIMAGE HEADER: Lloyd Branson (Union County\, Tennessee 1853-1925 Knoxville)\, Ellen McClung Berry [DETAIL]\, 1920\, oil on canvas\, 59 5/8 x 47 1/2 inches\, Knoxville Museum of Art\, 1999 gift of Dr. and Mrs. Aubra Branson
URL:https://knoxart.org/event/finding-higher-ground-with-jack-neely-and-stephen-wicks/
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/08/Finding-Higher-Ground-min-scaled-e1724877982792.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240823T180000
DTEND;TZID=America/New_York:20240823T210000
DTSTAMP:20260509T110129
CREATED:20240724T170607Z
LAST-MODIFIED:20240806T185049Z
UID:10000388-1724436000-1724446800@knoxart.org
SUMMARY:Jo Sandman / TRACES Opening Reception
DESCRIPTION:6:00-7:00 PM / MEMBERS ONLY HOUR\n6:15 PM / CURATOR TALK WITH ALICE SEBRELL\n(Curator of TRACES and Director of Preservation of Black Mountain College Museum + Art Center)\n7:30 PM /  REMARKS BY STEVEN MATIJCIO\, STEPHEN WICKS\, & ALICE SEBRELL\n8:00 PM / SPECIAL MUSICAL PERFORMANCE BY RUBENS GHENOV\nSUMMER REFRESHMENTS / INCLUDING A SIGNATURE COCKTAIL \nABOUT THE EXHIBITION / For more than seventy years\, Jo Sandman fearlessly explored an interdisciplinary mix of painting\, drawing\, experimental sculpture\, installation\, and photography. TRACES offers viewers a rare opportunity to experience the evolution of the artist’s journey over multiple decades. Jo Sandman/TRACES is on view at the Knoxville Museum of Art through November 10\, 2024. \nABOUT ALICE SEBRELL / Alice Sebrell is the Director of Preservation for the Black Mountain College Museum + Arts Center in Asheville\, NC. She earned her MFA in Photography from The Savannah College of Art and Design and her BFA from the University of Delaware. Sebrell has written and spoken about Black Mountain College for multiple publications and gatherings and has curated many exhibitions during her time at the museum. \nJo Sandman / TRACES is organized by the Black Mountain College Museum + Arts Center\, Asheville\, NC.\nIMAGE HEADER: Jo Sandman (1931 Boston; lives and works in Boston)\, Untitled\, 1952\, oil on canvas\, 39.75 x 31.5 inches. [DETAIL]
URL:https://knoxart.org/event/jo-sandman-traces-opening-reception/
CATEGORIES:Exhibition Openings,Special Events
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2024/07/Opening-Reception_Jo-Sandman-Traces-min-scaled-e1721839343113.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240823T100000
DTEND;TZID=America/New_York:20241110T170000
DTSTAMP:20260509T110129
CREATED:20240325T190318Z
LAST-MODIFIED:20241213T185650Z
UID:10000311-1724407200-1731258000@knoxart.org
SUMMARY:Jo Sandman / TRACES
DESCRIPTION:After a life-changing summer at Black Mountain College\, Boston-based artist Jo Sandman decided to devote her life to art. At BMC during that pivotal summer of 1951\, she studied painting with Robert Motherwell and Ben Shahn drawing with Joseph Fiori\, photography with Harry Callahan and Aaron Siskind; anthropology and French. It was this “galvanizing experience” at BMC that prompted Jo Sandman to decide to follow the path of an artist. She went on to develop and maintain a studio practice exploring painting\, drawing\, experimental sculpture\, installation\, ad photography for more than seventy years. TRACES  represent a survey of her career that attests to the artist’s restless curiosity expressed through her experimentation with a wide variety of imagery\, materials\, and processes. \nEXHIBITION-RELATED PROGRAMS:\nJo Sandman/TRACES Opening Reception I Friday\, August 23\, 6:00-9:00 pm\nSecond Sunday Docent Tour I Sunday\, September 8\, 2:00-3:00 pm\nSecond Sunday Art Activity I Sunday\, September 8\, 1:00-4:00 pm\nFamily Day I Saturday\, September 21\, 11:00 am-3:00 pm\nSecond Sunday Docent Tour I Sunday\, October 13\, 2:00-3:00 pm\nSecond Sunday Art Activity I Sunday\, October 13\, 1:00-4:00 pm\nCocktails & Conversation with Amy Boone-McCreesh I Wednesday\, October 30\, 5:30-7:30 pm\nInterpretations in Dance and Art I Sunday\, November 3\, 3:00-4:00 pm\nCocktails & Conversation with Katherine French I Thursday\, November 7\, 5:30-7:30 pm\nSecond Sunday Docent Tour I Sunday\, November 10\, 2:00-3:00 pm\n \nABOUT JO SANDMAN—\nJo Sandman was not only a witness to the historically important experimentation that shaped mid to late 20th century art\, but also an active participant. A student of both Hans Hofmann and Robert Motherwell\, she was in residence at Black Mountain College with Robert Rauschenberg and Cy Twombly and later worked for Walter Gropius. Trained as a painter\, she went on to create innovative drawings\, photography\, experimental sculpture and installation works\, which were exhibited widely and are now in permanent museum collections\, including that of the Museum of Fine Arts\, Boston\, the DeYoung/San Fransisco Museum of Fine Arts\, and numerous others. Significant awards include fellowships from the Massachusetts Arts Council and the Bunting Institute at Harvard\, as well as grants from the NEA and the Rockefeller Foundation. Over the course of a long career\, she exhibited widely and was recently featured in retrospectives at the Black Mountain College Museum and the Provincetown Art Museum; a two person exhibition Helen Frankenthaler and Jo Sandman/Without Limits at the Bowdoin College Museum of Art; and numerous group exhibitions\, including Women in Abstraction at the Addison Gallery of American Art.\nJo Sandman/TRACES is organized by the Black Mountain College Museum + Arts Center\, Asheville\, NC.\nIMAGE HEADER: Jo Sandman (1931 Boston; lives and works in Boston)\, Light Memory #4\, 2006\, toned gelatin silver print\, image 5.75 x 9.5 inches\, sheet 16 x 20 inches.
URL:https://knoxart.org/event/jo-sandman-traces/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/png:https://knoxart.org/wp-content/uploads/2024/03/Jo-Sandman-Traces.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240603T090000
DTEND;TZID=America/New_York:20240726T160000
DTSTAMP:20260509T110129
CREATED:20230926T202629Z
LAST-MODIFIED:20240524T203105Z
UID:10000014-1717405200-1722009600@knoxart.org
SUMMARY:Summer Art Academy 2024
DESCRIPTION:CLICK HERE TO VIEW THE 2024 SUMMER ART ACADEMY BROCHURE  \nThe Knoxville Museum of Art’s Summer Art Academy offers quality educational opportunities that will ignite your child’s imagination through drawing\, painting\, sculpture\, and more! Summer Art Academy will continue to offer classes and workshops for ages 3-17. Workshops will be held in Bailey Hall\, the Sarah Jane Hardrath Kramer Education Center\, and Martin Studio. \nIncreased pricing for Summer Art Academy to be announced! Partial and full scholarships will continue to be offered for students demonstrating financial need. These scholarships are available on a first come\, first served; as monies allow.  Thanks to the help of our generous sponsors\, scholarships cover 100% of expenses for students in need\, except for transportation. We believe in the importance of art education for all children\, please take advantage of this fantastic opportunity! \nFor more information\, call (865) 525-6101 ext. 241 or e-mail education@knoxart.org. \nREGISTER ONLINE \n\nPRESENTING SPONSOR:Publix Super Markets Charities \nLEAD SPONSORS:Emerson Automation Solutions • L’Amour du Vin Fund-A-Cause \nADDITIONAL SPONSORS:Michael Mervis • Axle Logistics • City of Knoxville • Knox County Health Department • Knox County Government • The Guild of the KMA • American Alliance of Museums • Tennessee Arts Commission • National Endowment of the Arts • Arts & Culture Alliance \nThis project is supported in part by federal award number 21.027 awarded to Knox County by the U.S. Department of the Treasury and the Arts & Culture Alliance\, and by the federal award number SLFRP5534 awarded to the State of Tennessee by the U.S. Department of Treasury.
URL:https://knoxart.org/event/summer-art-academy-2024/
CATEGORIES:Families,Special Events,Workshops
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/09/Summer-Art-Academy-2024-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240503T100000
DTEND;TZID=America/New_York:20240804T170000
DTSTAMP:20260509T110129
CREATED:20231108T010506Z
LAST-MODIFIED:20240806T184045Z
UID:10000230-1714730400-1722790800@knoxart.org
SUMMARY:Tools As Art: Work & Play
DESCRIPTION:Featuring a selection of more than fifty works from the Hechinger Collection\, Work & Play celebrates the transformation of common industrial objects into extraordinary works of art. By tapping into their metaphoric potential\, the exhibition explores tools as icons of labor\, labor as a component of creativity\, and creativity as a form of play. The showcased works illustrate how artists manipulate their subjects to forge entirely novel forms. Some artists manipulate scale\, material\, and function to wondrous effect. Others treat tools as a stand-in for the self\, often assigning them human attributes and honoring their simple efficiency and sheer elegance. The exhibition also features artists who embrace tools as a hallmark of civilization or use tools for humor and social commentary. \nABOUT THE HECHINGER COLLECTION—\nJohn W. Hechinger (1920-2004) was a fifth-generation Washingtonian and a highly respected civic and business leader who was most often associated with the chain of do-it-yourself stores that carried his family name. Once ubiquitous in the Mid-Atlantic region of the United States\, the Hechinger Company was founded by John’s father in 1911 and exemplified a twentieth-century success story: the transformation of a neighborhood hardware store into an expansive chain of home-improvement centers. \nLesser known to the public is that John and his wife June were lifelong philanthropists and art enthusiasts\, assembling an impressive collection of artwork that honors the beauty of common tools where form and function are inextricably linked. When Hechinger moved into new corporate headquarters in 1978\, he found the building efficient yet sterile: “It struck me that the endless repetition of corridors and cubicles was boring and seemed to rebuke the fantasies that a hardware store inspires. For anyone whose passion is to work with his or her hands\, a good hardware store is a spur to the imagination.” \nAs Hechinger discovered early on\, the collection’s narrow focus struck a rich and diverse vein. Although artists have depicted tools in their art since ancient times\, it was during the modern era that tools gained widespread popularity. The collection features more than 250 regional and international artists. Their paintings\, sculptures\, drawings\, prints\, photographs\, and folk art span a wide range of styles and themes\, and like a time-capsule\, the collection traces a sweeping arc of technological progress and labor shifts all the way to the digital age. \nTools as Art: Work & Play is organized from the Hechinger Collection and toured by International Arts & Artists\, Washington\, D.C.IMAGE HEADER: Claes Oldenburg\, KnifeShip\, 1986\, oil paint on saw\, 30.5″ X 36.25″ X 2\,” © Claes Oldenburg. \n\n 
URL:https://knoxart.org/event/tools-as-art-work-play/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/11/Tools-As-Art-Work-and-Play-scaled-e1699404287883.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240126T100000
DTEND;TZID=America/New_York:20240414T170000
DTSTAMP:20260509T110129
CREATED:20231108T015941Z
LAST-MODIFIED:20241111T194149Z
UID:10000231-1706263200-1713114000@knoxart.org
SUMMARY:Carmen Winant A Brand New End: Survival and its Pictures
DESCRIPTION:Artist Carmen Winant’s large-scale collages and installations illuminate the often-invisible experiences of women\, as well as feminist strategies for survival\, revolt\, and self-determination. She explores these themes through objects drawn from and inspired by the archives of Women in Transition (WIT) and the National Coalition Against Domestic Violence (NCADV). This exhibition includes depictions and descriptions of domestic violence. \nEXHIBITION-RELATED PROGRAMS:Opening Reception and Gallery Talk with Carmen Winant | Friday\, January 26\, 5:30-7:30pmClothesline Project with YWCA Knoxville & the Tennessee Valley | January 26-April 14Second Sunday Docent Tour | Sunday\, February 11\, 2-3pmSecond Sunday Art Activity | Sunday\, February 11\, 1-4pmAn Afternoon to Honor Voices of Courage | Sunday\, February 18\, 1-4pmSecond Sunday Docent Tour | Sunday\, March 10\, 2-3pmSecond Sunday Art Activity | Sunday\, March 10\, 1-4pmFamily Day | Saturday\, March 16\, 11am-3pmDine & Discover with Bobbie Crews | Thursday\, April 11\, 12-1pmSecond Sunday Docent Tour | Sunday\, April 14\, 2-3pmSecond Sunday Art Activity | Sunday\, April 14\, 1-4pm \nABOUT CARMEN WINANT—\nCarmen Winant is an artist whose work utilizes installation and collage strategies to examine feminist modes of survival and revolt. Her work is included in the collections of The Museum of Modern Art in New York\, NY\, The Minneapolis Institute of Art\, Minneapolis\, MN\, and Henie Onstad Kunstsenter in Sandvika\, Norway. Winant is the recipient of a Guggenheim Fellowship in Photography (2019) and the Ohio Arts Council Individual Excellence Award (2018). Winant holds a B.A. from the University of California\, Los Angeles\, and an M.F.A. and M.A. from California College of the Arts. She is the Roy Lichtenstein Chair of Studio Art at The Ohio State University. carmenwinant.com \nTHE PRINT CENTER—\nFor more than a century\, The Print Center has encouraged the growth and understanding of photography and printmaking as vital contemporary arts through exhibitions\, publications and educational programs. The Print Center has an international voice and a strong sense of local purpose. Free and open to the public\, it presents changing exhibitions\, which highlight established and emerging\, local\, national and international contemporary artists. It mounts one of the oldest art competitions in the country and the Gallery Store offers the largest selection of contemporary prints and photographs available for sale in Philadelphia\, as well as being available online. printcenter.org \nWOMEN IN TRANSITION (WIT)—\nFounded in 1971\, Philadelphia-based WIT’s mission is to empower people to move forward in their lives free of domestic violence and substance abuse. helpwomen.org \nNATIONAL COALITION AGAINST DOMESTIC VIOLENCE (NCADV)-—\nFounded in 7978\, Denver-based NCADV’s mission is to lead\, mobilize\, and raise their voices to support efforts that demand a change of conditions that lead to domestic violence such as patriarchy\, privilege\, racism\, sexism\, and classism. They are dedicated to supporting survivors and holding offenders accountable and supporting advocates. ncadv.org \n IMAGE HEADER: Carmen Winant (Born 1983\, San Franciso\, California\, lives and works in Columbus\, Ohio)\, Women’s blueprint for survival 2\, 2022\, sun-bleached construction paper\, painter’s tape\, inkjet prints\, 47 1/2″ x 36.” Courtesy of the Artist and The Print Center\, commissioned by The Print Center. \n\n  \n \n \nThis project is supported in part by federal award number 21.027 awarded to Knox County by the U.S. Department of the Treasury and the Arts & Culture Alliance\, and by the federal award number SLFRP5534 awarded to the State of Tennessee by the U.S. Department of Treasury.
URL:https://knoxart.org/event/carmen-winant-a-brand-new-end-survival-and-its-pictures/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/11/Carmen-Winant-Survival-and-Its-Pictures-scaled-e1699408071757.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231124T100000
DTEND;TZID=America/New_York:20240107T170000
DTSTAMP:20260509T110129
CREATED:20231003T022617Z
LAST-MODIFIED:20240729T194438Z
UID:10000020-1700820000-1704646800@knoxart.org
SUMMARY:East Tennessee Regional Student Art Exhibition 2023
DESCRIPTION:Welcome to the 18th Annual East Tennessee Regional Student Art Exhibition\, presented by the Knoxville Museum of Art. The ETRSAE showcases the strength and diversity of art education programs in East Tennessee\, celebrates talented middle and high school students\, and supports arts education. This annual exhibition provides the opportunity for students to participate in a juried exhibition and to have their artworks displayed in a professional art museum environment. \nPublic\, private\, and home schools grade 6–12 in 32 East Tennessee counties were invited to submit up to 15 artworks per teacher. Categories for the competition include ceramic\, drawing\, digital imagery/video production\, mixed media\, painting\, computer graphics\, sculpture\, photography\, and printmaking. Each participating school is represented by one work of art. \nThe Best-in-Show winner receives a Purchase Award of $500\, and the artwork becomes a permanent part of the collection of Mr. James Dodson\, on loan to the Knoxville Museum of Art’s Education Collection. The Best-in-Middle School winner receives $250. If you are a NAEA/TAEA member and the teacher of the student who is selected as this year’s Best-in-Show and Best in Middle School\, you will receive a $100 Art Educator Award from the Knoxville Museum of Art. Each student in the exhibition receives a certificate of participation and the “Best” in each of the 10 categories. The winners receive a cash award and a museum family membership. \nIMAGE HEADER: Best in Show\, Eli Olsen\, 12th Grade\, Art Incarnate\, Recycled Art Textbooks\, Christian Academy of Knoxville\, Hope Wampler\, Art Teacher\nThe 18th Annual East Tennessee Regional Student Art Exhibition is presented by the Knoxville Museum of Art.
URL:https://knoxart.org/event/etrsae-2023/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/10/ETRSAE_23-scaled-e1699410956686.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230901T100000
DTEND;TZID=America/New_York:20231112T170000
DTSTAMP:20260509T110129
CREATED:20240726T170440Z
LAST-MODIFIED:20240924T153220Z
UID:10000015-1693562400-1699808400@knoxart.org
SUMMARY:Jane Cassidy Drink Up the Moon
DESCRIPTION:Drink Up The Moon celebrates how life can be better lived when we are in tune with the world around us. In this exhibition\, a two-channel video installation captures the magic and mysticism of sunlight on choppy seas\, rambling on the seashore\, and deeply listening to our environment. \n\n“This body of work began by filming my winter Atlantic swims at Salt hill Beach in Galway\, on the west coast ofIreland. This creative habit changed how I experienced my time in the frigid water and kept me cycling to the sea\, even during a blizzard. The luscious slow-motion video captures glistening light\, the sensation of waves crashing\, and the aggression of hailstones on open water. “You never regret the swim\,” is a mantra I was once given and this project is indebted to those wise words.In tandem with my swims\, I began studying our moon\, filming its phases and finding an embodied connection with it. The more I paid attention to our magnetic satellite\, the more I heard birdsong when I usually slept\, and the more in tune I was with the cycle of my body and the tides that drew me to the sea. I filmed the moon rising behind mountains and shining across beaches\, from my city doorstep and camping on cliff tops. By tracking the moon\,I found a stronger connection to myself\, my ancestors and my environment and I encourage us all to explore this connection and keep looking up.” —Jane Cassidy \n\nABOUT JANE CASSIDY—\nJane Cassidy (b. Galway\, Ireland\, 1984) is a multi-disciplinary artist and educator living in Galway City on the west coast of Ireland. Cassidy’s main interests lie in immersive audiovisual environments\, multi-sensory work\, and synesthesia\, most often used to interpret the mysticism of nature. Her exhibition Drink Up the Moon celebrates how life can be better lived when we are in tune with the world around us. www.janecassidy.net \n\nIMAGE HEADER: Jane Cassidy (Galway\, Ireland 1983; lives and works in Galway)\, Drink up the Moon\, 2022\, video\, stereo sound\, 7-minute loop\, plays as a 2-channel video with You Never Regret the Swim\, 2022. \n \nThis project is supported in part by federal award number 21.027 awarded to Knox County by the U.S. Department of the Treasury and the Arts & Culture Alliance\, and by the federal award number SLFRP5534 awarded to the State of Tennessee by the U.S. Department of Treasury.
URL:https://knoxart.org/event/jane-cassidy/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/10/Jane-Cassidy_-Drink-Up-the-Moon-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230616T100000
DTEND;TZID=America/New_York:20230827T170000
DTSTAMP:20260509T110129
CREATED:20240726T170440Z
LAST-MODIFIED:20240726T170440Z
UID:10000105-1686909600-1693155600@knoxart.org
SUMMARY:Courtney Egan: Eco Tone with Natori Green
DESCRIPTION:Eco Tone is a show of Egan’s artwork from 2020 to present\, including new pieces made in collaboration with another New Orleans artist\, Natori Green. Courtney Egan’s projection-based sculptural installations deliver an experience that is both pleasing and disconcerting. The ethereal projections – converging on walls\, floors and sculptural elements – are inspired by the growing frequency of human exposure to nature via computers or television. Egan creates stunning yet “subtly impossible\, hybrid tableaus\,” which envelop the viewer in a conversation between memory of the natural world and a new experience with a plant or flower. She explains the fundamental irony of the experience\, stating\, “We get closer and farther away from the natural world simultaneously when we experience it through a technological lens.” www.courtneyegan.net \n\nABOUT COURTNEY EGAN—\nCourtney Egan’s projection-based sculptural installations mix botanical themes with shards of technology.  Strongly inspired by the profusion of flora in New Orleans where she has lived and worked since 1991\, Courtney’s artworks ask broad questions about how human life and the plant world co-evolve. \nShe began presenting nature-themed projected artworks in 2010 with her solo show\, “Field Recordings\,” at Heriard-Cimino Gallery in New Orleans\, and she currently shows her projection-based work at Arthur Roger Gallery in New Orleans. Recent solo shows include “Extinct in the Wild” at Arthur Roger Gallery\, “Virtual Idylls” at the Ogden Museum of Art\, and “Superflora” at the Umlauf Sculpture Garden and Gallery in Austin\, TX.  Her work has been featured in Sculpture magazine\, Country Roads magazine\, OxfordAmerican.com\, PelicanBomb.com\, and Artforum.com. \nCourtney also shows artworks in light festivals such as Napa Lighted and Luna Fete and has shown short films in festivals\, including the Ann Arbor Film Festival and the Black Maria Film Festival. She was an artist-in-residence at the Santa Fe Art Institute and at Louisiana Artworks in New Orleans.  She is a founding member of the New Orleans-based visual arts collective Antenna. Courtney holds an M.F.A. from Maryland Institute College of Art.  She has taught art and media in elementary\, secondary\, and college classrooms since 1991. www.courtneyegan.net \nABOUT NATORI GREEN—\nNatori Green (b. New Orleans\, 1992) is a mixed-media visual artist whose works span paintings\, video installation\, photography\, fashion\, and textile design. Green’s artwork explores the concepts of race and gender with reflective surfaces\, natural hairstyles\, urban landscapes\, and Louisiana native plants. When she is not painting\, Green creates ready-to-wear\, handmade garments and knitwear pieces\, particularly mother-daughter ensembles. She has an affinity for natural dyeing techniques\, machine knitting\, and the practice of garment construction and tailoring. www.natorigreen.com \n\nTHANK YOU TO OUR PRESENTING SPONSORS \n            \n\nThis project is supported\, in whole or in part\, by the federal award number SLFRP5534 awarded to the State of Tennessee by the U.S. Department of the Treasury.
URL:https://knoxart.org/event/courtney-egan-eco-tone-with-natori-green/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/10/CourtneyEgan-scaled-e1680878593701.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230127T100000
DTEND;TZID=America/New_York:20230507T170000
DTSTAMP:20260509T110129
CREATED:20240726T170440Z
LAST-MODIFIED:20240726T170440Z
UID:10000021-1674813600-1683478800@knoxart.org
SUMMARY:Tennessee Triennial: RE-PAIR
DESCRIPTION:The inaugural Tennessee Triennial is a unified multi-site\, multi-city exhibition that promotes contemporary visual art as a tool to foster constructive dialogue across communities\, the state\, the country\, and internationally. The 2023 theme and core concept of the inaugural Tennessee Triennial is “RE-PAIR\,” set forth by Consulting Curator María Magdalena Campos-Pons as the guiding curatorial concept for all exhibiting venues participating in the Tennessee Triennial. \n\n\n\nResponding to the Triennial RE-PAIR theme about art designed “To heal\, suture\, and recompose fractured bodies”\, “re-pair\, patch\, rebuild spirits\, bodies\, cities\, political institutions\, economic relationships\,” the Knoxville Museum of Art presents works emphasizing the transformative power of art to propose new solutions to recent global discord. \n\n\n\nThe KMA’s Triennial presentation features a thought-provoking selection of objects created by a diverse\, intergenerational slate of 13 international artists from across the U.S.: Willie Cole\, Bessie Harvey\, Lonnie Holley\, Katie Hargrave & Meredith Laura Lynn\, Kahlil Robert Irving\, Suzanne Jackson\, Mary Laube\, Annabeth Marks\, Rosemary Mayer\, Althea Murphy-Price\, Betye Saar\, and Faith Wilding. \n\n\n\nThe exhibited works address a broad range of conceptual concerns ranging from the intersection of the personal and the political\, to environmental\, cultural\, and spiritual. They express artists’ deep interest in material as a means of interpreting and amplifying these concerns. They are touched and pressed\, deconstructed\, constructed and made anew. They embody histories that sensitively embrace contradiction and complication\, and that challenge diverse audiences to look both forward and backwards towards “new sites of encounters with yet undefined edges\, borders and territories” in search of RE-PAIR. \n\n\n\nA major statewide contemporary art event organized by Tri-Star Arts. Consulting Curator: María Magdalena Campos-Pons. \n\n\n\n\n\n2023 Theme – RE-PAIR \nRecent Press in ARTnews \n2023 VENUES \nWESTMemphis Brooks Museum of Art\, Memphis River Parks Partnership\, Tone Memphis\, UrbanArt Commission \nMIDDLECheekwood\, Engine for Art\, Democracy and Justice\, Fisk University Galleries\, Frist Art Museum\, Parthenon Museum\, Vanderbilt University Fine Arts Gallery \nEASTBig Ears Festival\, Hunter Museum of American Art\, Institute of Contemporary Art at the University of Tennessee at Chattanooga\, Stove Works\, Tri-Star Arts at Candoro Marble Building \n  \n\n 
URL:https://knoxart.org/event/tennessee-triennial-re-pair/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/10/redo-1-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221216T100000
DTEND;TZID=America/New_York:20230430T170000
DTSTAMP:20260509T110129
CREATED:20231003T192021Z
LAST-MODIFIED:20240924T172425Z
UID:10000022-1671184800-1682874000@knoxart.org
SUMMARY:Landfall Press: Five Decades of Printmaking
DESCRIPTION:Landfall Press: Five Decades of Printmaking celebrates the fiftieth anniversary of one of the country’s most renowned printers-publishers. Landfall Press’s history is marked by groundbreaking collaboration with a host of distinguished international artists. Some of the featured artists are leading printmakers while others work primarily in other media\, but became interested in collaborating with master printers in order to realize their ideas in print-based works.As a result\, participating artists discovered new creative avenues within the vast array of printmaking techniques offered by Landfall Press.The artists\, in turn\, contributed to the collaborative process new ideas and expressive possibilities from other media that have helped reshape and invigorate printmaking. \nCulled from the holdings at Landfall Press\, the featured selection of 50 prints represents the creative achievements of more than 40 distinguished international artists who have collaborated with Landfall since it opened in 1970\, and emphasizes the dynamic range of innovative printmaking approaches for which the legendary workshop is known. Traditional notions of prints as small flat sheets are challenged by featured works taking the form of LP-format prints by Terry Allen\, clustered intaglios by Pat Steir\, and mixed media compositions by Christo that are enhanced by the addition of three-dimensional objects mimicking his monumental architectural wrappings. Other key artists represented in the exhibition include Judy Chicago\, Sol Lewitt\, Jiha Moon\, Nicky Nodjoumi\, Claes Oldenburg\, Ed Paschke\, Martin Puryear\, Nusra Qureshi\, Pat Steir\, Kara Walker\, and William T. Wiley.Together the selected works comprise an inspiring statement about the wealth of experimentation and range of innovation within the world of contemporary printmaking\, and the central role of Landfall Press in its exciting evolution. \nMany of the works featured in Five Decades of Printmaking are lithographs\, created through a process based on the principle that oil and water repel each other. In the most traditional form of lithography\, invented in 1796\, the artist draws on a slab of limestone with a greasy crayon. During the printing process\, the printer wets the stone and then applies oily ink. The non-image areas absorb the water while the image areas created with the greasy crayon attract the ink. A piece of paper is placed over the stone\, and then run through a printing press under high pressure\, creating an impression\, or copy\, of the image on the stone. This process is repeated to produce multiple prints. In color lithography\, the printer uses a separate stone for each color\, running the same piece of paper through the press several times to create the final\, full-color image. Today\, lithographers can print from zinc or aluminum plates rather than stones.Instead of working directly on the printing surface\, artists can draw an image on a thin plastic sheet and transfer their image onto a sensitized plate through a photographic process. \nThe Knoxville Museum of Art is one of a handful of national museum venues selected to host this groundbreaking show on the strength of its extensive print holdings and its proximity to and partnership with the University of Tennessee School of Art’s top-ranked printmaking program\, and close ties to major print collectors and Landfall patrons Helen and Russell Novak\, of Chicago\, who gifted the KMA 38 contemporary prints that were featured in the KMA-organized 2018 exhibition Press Ahead: Contemporary Prints Gifted by Helen and Russell Novak. \n\n  \nABOUT LANDFALL PRESS —\nFounded in 1970 by Jack H. Lemon\, Landfall Press played a key role in expanding the geography of the American postwar print renaissance. In the late 1950s and 1960s\, new printmaking workshops\, including Universal Limited Art Editions\, Tamarind Lithography Workshop\, and Gemini G.E.L.\, opened on the East and West Coasts. Jack Lemon helped bring this printmaking revival to the Midwest. He learned lithography at the Kansas City Art Institute\, then later established and directed lithography workshops there in 1965 and at the Nova Scotia College of Art and Design in 1968. He opened Landfall Press in Chicago\, effectively creating a new hub for printmaking that attracted artists from around the country. \nLandfall Press is known for its commitment to innovation and exacting technical standards. It specializes in lithography but has also produced etchings\, woodcuts\, books\, and multiples that have often redefined what a print can be. As a publisher\, Lemon has collaborated with a diverse range of international artists\, introducing many of them to the process of printmaking. Landfall operated out of Chicago for thirty-five years and\, in 2004\, relocated to Santa Fe\, New Mexico\, where it continues to serve new generations. \nIn recognition of Landfall Press’s monumental contributions to international printmaking\, the Milwaukee Art Museum in 1992 acquired the Landfall Press Archive\, which consists of impressions of Landfall’s publications and the objects and materials that went into making the completed prints. In 1996\, the Museum organized a traveling exhibition and produced a catalogue in honor of Landfall’s twenty-fifth anniversary. The Art Institute of Chicago presented its own celebration of the milestone in 1995\, and\, in 1997\, the Museum of Modern Art in New York opened A Singular Vision: Prints from Landfall Press. \nThe works in the exhibition are on loan from Jack H. Lemon. \n\nThis project is supported\, in whole or in part\, by the federal award number SLFRP5534 awarded to the State of Tennessee by the U.S. Department of the Treasury.
URL:https://knoxart.org/event/landfall-press-five-decades-of-printmaking/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/10/Laget-Off-The-Grid-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221125T080000
DTEND;TZID=America/New_York:20230108T170000
DTSTAMP:20260509T110129
CREATED:20240726T170220Z
LAST-MODIFIED:20240729T194255Z
UID:10000024-1669363200-1673197200@knoxart.org
SUMMARY:East Tennessee Regional Student Art Exhibition 2022
DESCRIPTION:The ETRSAE showcases the strength and diversity of art education programs in East Tennessee\, celebrates talented middle and high school students\, and supports arts education.  This annual exhibition provides the opportunity for students to participate in a juried exhibition and to have their artworks displayed in a professional art museum environment.  We are so delighted by the quality of the artworks\, the dedication of the teachers\, and the commitment of the museum staff to establish a museum/school tradition for our community. \nPublic\, private\, and home schools grades 6–12 in 32 East Tennessee counties were invited to submit up to 15 artworks per teacher. Categories for the competition include ceramic\, drawing\, digital imagery/video production\, mixed media\, painting\, computer graphics\, sculpture\, photography\, and printmaking. Each participating school is represented by one work of art. \nThe Best-in-Show winner receives a Purchase Award of $500\, and the artwork becomes a permanent part of the collection of Mr. James Dodson\, on loan to the Knoxville Museum of Art’s Education Collection.  The Best-in-Middle School winner receives $250.  The teachers of the winning student will receive $100.  Each student in the exhibition receives a certificate of participation and the “Best” in each of the 10 categories the winners receive a museum family membership. \nIMAGE HEADER: Best in Show\, Magnolia Evans\, 12th Grade\, Paranoid\, Painting-Oil Paint and Wood Panel\, Farragut High School\, Angela McCarter\, Art Teacher\nThe 17th Annual East Tennessee Regional Student Art Exhibition is presented by the Knoxville Museum of Art.
URL:https://knoxart.org/event/etrsae-2022/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/10/Best-in-Show-Magnolia-Evans-12th-Grade-Paranoid-Painting-Oil-Paint-and-Wood-Panel-Farragut-High-School-Angela-McCarter-Art-Teacher-scaled-1-e1641502961183.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220812T100000
DTEND;TZID=America/New_York:20221106T173000
DTSTAMP:20260509T110129
CREATED:20240726T170220Z
LAST-MODIFIED:20240726T170220Z
UID:10000025-1660298400-1667755800@knoxart.org
SUMMARY:Radcliffe Bailey: Passages
DESCRIPTION:“I’ve always felt like the only way I can heal myself is to go back through memory\, learn from memory.” -Radcliffe Bailey \nAncestral memory and cultural identity represent core themes fueling the artistic practice of Atlanta-based Radcliffe Bailey (born 1968). Bridging continents and cultural contexts\, the artist’s compelling narratives interweave individual experience and personal history within the collective trajectory of the African diaspora. Using an intuitive and labor-intensive approach\, he combines found objects\, painted motifs\, and photographic imagery to create engaging compositions inspired by the Middle Passage\, the Great Migration\, and other key stages in the history of his ancestors. Featuring nearly 30 recent works\, Radcliffe Bailey: Passages reflects the artist’s ongoing artistic meditation on these difficult journeys\, and their reverberations in present times. \nBailey’s creative drive finds full expression in a variety of forms\, including installations\, sculptures\, paintings\, works on paper\, and combinations thereof.  Many of his works represent a thoughtful conglomeration of new and salvaged materials and imagery made possible by the artist’s command of various construction methods and studio techniques. Surface treatments range from distressed metal or wood to coatings of sparkling black sand\, rust\, and other substances applied to historically charged found objects. The artist typically develops multiple compositions at any given time\, giving shape to larger interconnected narratives along the way. Each work gradually unfolds to reveal underlying elements\, textural nuances\, and thematic interconnections. References to travel\, displacement\, and crossing boundaries are especially prominent. Door of No Return (2019) presents a life-sized collaged photograph of the infamous threshold at Senegal’s Gorée Island through which ancestral Africans stepped off home soil for the final time before boarding slave ships. This luminous doorway stands in stark contrast to its glittering black backdrop\, which conjures visions of Caribbean black sand beaches and sea navigation by night. Windward Coast – West Coast Slave Trade (2009-2018) takes the form of roiling waves of piano keys out of which a glitter covered human head emerges. While alluding to traumatic passages by sea during which countless slaves perished\, the installation’s material components call attention to music as a limitless arena of innovation and accomplishment for descendants of survivors and as a vehicle through which their ancestors’ voices persist. Comprised of a single oar within a tall bottle\, the glass sculpture Stir (2016) is a poetic meditation on travel by water whose title signals broader concepts of inspiration and provocation. Palmyra\, VA (2021) and Coles (2021) feature sections of miniature train track mounted to sculptural objects as a tribute to the Underground Railroad and to Bailey’s train engineer father. The tracks’ vertical orientation also suggests ladders promising access to new opportunities\, higher ground\, and spiritual deliverance. In recent mixed media paintings Charleston (2021) and En Route (2021)\, Bailey pairs shipping tarpaulins with blocks of tabby concrete\, an early building material used in the coastal South produced largely by slave laborers. Hard-edged and puddled color shapes are intermingled with text and imagery pulled from antique maps\, family trees\, travel logs\, and Haitian vévé spiritual diagrams used to navigate journeys both physical and spiritual. Reminiscent of quilts\, the patchwork structure of paint and collage serves to reinforce prevailing themes of geographical displacement\, lost lineages\, and shattered histories. \nThe selection featured in Passages reflects the broad scope of Radcliffe Bailey’s studio practice\, and the multiple levels on which the artist’s works convey meaning. His hybrid creations offer diverse points of entry into compelling narratives that are personal yet far-reaching. Evocative and physically complex\, they appear as if talismans\, shrines\, reliquaries\, guideposts\, and portals offering direction and prompting reflection. Open-ended and wide-ranging\, they remain enigmatic despite the presence of layered imagery implying a variety of possible interpretations. Each stands as a testament to the persistence of identity and memory\, and as an enduring message whose affirmative spirit promises to transcend the painful legacy of cultural erasure. \nABOUT THE ARTIST\n \nBorn 1968 in Bridgeton\, New Jersey\, Radcliffe Bailey was raised in Atlanta\, where he lives and works today. Forthcoming public art installations include work commissioned by the City of Atlanta\, as part of the Renew Atlanta Public Art Program; the Freedom Cornerstone\, commissioned by the City of Greensboro\, North Carolina; and a commission by Philadelphia Contemporary. Recent solo exhibitions include Ascents and Echoes and Travelogue at Jack Shainman Gallery\, New York; Pensive\, SCAD Museum of Art\, Savannah\, which travelled to the Gibbes Museum of Art\, Charleston; Radcliffe Bailey: Recent Works\, Contemporary Arts Center\, New Orleans; and Memory as Medicine at the High Museum of Art\, Atlanta. Bailey’s work is included in the collections of the Metropolitan Museum of Art\, New York; the Smithsonian Institution\, Washington\, D.C.; the Art Institute of Chicago; the Museum of Fine Arts\, Houston; the Nelson-Atkins Museum of Art\, Kansas City\, Missouri; the Denver Art Museum; and the High Museum of Art\, among many others. \nRadcliffe Bailey: Passages is organized by the Knoxville Museum of Art in conjunction with Jack Shainman Gallery\, New York.\n \n\nThank you to our sponsors! \n \n \nArts & Culture Alliance\nNational Endowment for the Arts\nTennessee Arts Commission\nCity of Knoxville\nKnox County \nThis project is supported\, in whole or in part\, by the federal award number SLFRP5534 awarded to the State of Tennessee by the U.S. Department of the Treasury.
URL:https://knoxart.org/event/radcliffe-bailey-passages/
CATEGORIES:Exhibitions,Past
ATTACH;FMTTYPE=image/jpeg:https://knoxart.org/wp-content/uploads/2023/10/Radcliffe-Bailey-Passages-01-scaled.jpg
END:VEVENT
END:VCALENDAR