The basis of Kwang-Young Chun’s work is individual, triangular, Styrofoam shapes. Individually, these shapes are minuscule. Taken together, however, their visual impact is immense. This concept of the aggregate is what informs Chun’s work.

The Styrofoam shapes are covered in Korean mulberry paper. In Korea, the paper is a mainstay and has many utilitarian uses from floor and window coverings to candy and medicinal wrappers. It also resonates with personal meaning for the artist, who recalls trips to an herbalist as a small child. Medicines wrapped in mulberry paper hung from the ceiling of the shop, the paper protecting the contents from dampness and insects.

Chun uses pages recycled from old books to cover the geometric forms. These pages are covered in Korean and Chinese characters, adding another layer of cultural and personal meaning. He hand ties the paper over each shape, twisting pages into string to complete the wrapping. In this way Chun is able to integrate traditional materials into a contemporary context. Curated by Susan Moldenhauer. Funded in part by the national Advisory Board of the UW Art Museum and the Wyoming Arts Council through the National Endowment for the Arts and the Wyoming State Legislature.