Women Artists: Highlights from the Hunter Museum of American Art

This exhibition celebrates the creative achievements of contemporary women artists from the U.S. and abroad as represented in the Hunter Museum of American Art in Chattanooga.

Exhibition NOTES

Women Artists: Highlights from the Hunter Museum of American Art

Since 2000, the Hunter Museum of American Art in Chattanooga has prioritized the acquisition of works by women artists from around the United States, who have long lagged behind their male counterparts when it comes to museum-level recognition. Between 2008 and 2018, works by women constituted just 11 percent of acquisitions and 14 percent of exhibitions at 26 major American museums. Women Artists: Highlights from the Hunter Museum of American Art celebrates work by contemporary American female artists. This exhibit and Currents: Women Artists from the KMA Collection (one floor down) document what two important Tennessee cultural organizations are doing to support and empower women artists.

The road to recognition for women’s creative achievements has been long and difficult. The passage of the 19th amendment in 1920 may have guaranteed the right to vote for all women, but equity in practice took many more years—especially for women of color. The women’s rights movement began gaining strength in the 1960s, alongside those of civil rights and gay liberation movements. An outgrowth of this was the feminist art movement, encouraging women artists to rewrite a male-dominated art historical narrative by using unorthodox art materials, offering alternative exhibition venues, questioning political and social stereotypes, and often shunning conventional ideas of beauty. Each artist in this exhibition follows in the footsteps of these pioneers, bringing previously unheard voices into the mainstream. Highlights include an installation by Lesley Dill featuring floor-to-ceiling banners and hand embroidered text, a silhouette pop-up book by Kara Walker examining the history of American race relations, a textile by Vadis Turner questioning inherited gender roles, and a mixed media installation by Beverly Semmes inspired by composer John Cage’s minimalist music.

The artists featured in this exhibition are Elizabeth Catlett, Lesley Dill , Lin Emery, Clementine Hunter, Julie Moos, Catharine Newell, Sisavanh Phouthavong, Faith Ringgold, Alison Saar, Surabhi Saraf, Miriam Schapiro, Beverly Semmes, Lorna Simpson, Vadis Turner, Kara Elizabeth Walker, and Carrie Mae Weems.

Organized by the Hunter Museum of American Art, Chattanooga.

Presenting Sponsor
The Frank and Virginia Rogers Foundation

Masters Sponsor
The Guild of the KMA

Sustaining Sponsors
Pandy Anderson
Marty Begalla
Mary Ellen Brewington & Nell Kedrow
Molly Joy
Vicki Kinser
Alexandra Rosen

Benefactor Sponsors
Mary Hale Corkran
Allison Lederer
Brenda Madigan
Townes Osborn
Hei Park
KMA in honor of Barbara Apking and Karen Mann

Patron Sponsors
Mardel Fehrenbach
Lane Hays
Sherri Lee in memory of Sarah Stowers and Glady Faires
Sheena McCall
Geri Muse in memory of Amanda Muse Neuhoff
Nancy Sharp Voith & Kenneth A. Stark in honor of my artist sister, M J Sharp

Sandi Burdick in memory of Adelia Armstrong Lutz
Barbara M. Cook
Judy Doyle in memory of Lynn Irwin
Susan French
Dana Headden
Cathy Hill in honor of Barbara Bernstein

This project (was/is) supported, in whole or in part, by the federal award number SLFRP5534 awarded to the State of Tennessee by the U.S. Department of the Treasury.